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Conspiracy / Re: An Analysis of the FBI Video of the Road Block resulting in Lavoy Finicu
« on: February 24, 2016, 07:58:18 PM »
Request 1 Continued) An Analysis of the FBI Video of the Road Block resulting in Lavoy Finicum's Death.
Peter Offermann
Contact Author
February 24, 2016
Ok… Below is the whole sequence from when the truck stops to when the agent in question starts walking towards the center of the blockade. I’ve increased the size of the first half so it is approximately the same zoom as the last half to make it easier to follow the action. I also removed much of the blur so there are only a couple of frames where there is no detail. The whole gif is also about double the original size.
There are 261 frames in this section which means it lasts 8.7 seconds in realtime (30 fps). The gif is slowed down to 5 fps.
Gif is 17mb and will take sometime to load on slower connections.

Just before this the agent in question was hit by and buried by a heavy wall of wet snow coming from Lavoy’s truck. At the start of this sequence he is sliding away from Lavoy’s truck on his butt and he ends up sitting on the ground facing away from Lavoy’s truck and is instead facing towards the driver’s side rear corner of the dark truck. His knees are stretched out in front of him. He is staying low because another agent is aiming at Lavoy over his head from back in the barricade.
(click on the images below for a larger version)

He remains in this position until another agent walks past him between him and the dark truck.

In the next 1.7 seconds he changes from this position to walking towards the middle of the road block. There is not enough time for him to take a shot at Lavoy even if his arms were in the right position. First he starts to turn his body towards the left facing the back of Lavoy’s truck.
There might possibly be missing time there as both he and the other shooter appear to be missing some movements there. If anyone shot him then I think it was the other shooter out behind the truck. You can possibly see just a bit of recoil on his weapon as he comes out of the worst of the blur. It doesn’t make sense to me that Lavoy continues to run towards him if he is shot at that point.

The Agent then plants his left arm on the ground to raise his body onto his feet. Lavoy first drops his arms at this point.
I examined every frame in this sequence very closely at a very large size when I created the gif showing what I think happened.
I do not believe Lavoy dropped his arms at this point. I think this was painted in because they needed to show him waving his arms around in order to justify shooting him.
In the sequence where he leaves the truck they left the top half of his body as original and painted in his feet to get the perception they desired. In this sequence they left the lower half of his body original and manufacture his arm movements to suit.
The background for the sequence is bare snow except one barely visible clump of bushes. It is very easy to see signs of tampering on such a background and there are plenty of signs. The shape and texture of his arms also don’t look real in places when studied closely.
I believe Lavoy only dropped his arms once when he was shot at the time I highlight in Part 8b. He is shot in the left lower abdomen and then drops his arms to clutch himself there as he is blown sideway by the shock of the shot.
His arm movements from this point on are faked as well to mask his involuntary turn to the side. They moved his arms around to make him look like he intentionally turned away to run. Lavoy doesn’t try to run at all. He is only forced back onto his left foot by the blast and moves his right foot forward to try to retain his balance. At that point he is shot by the uphill shooter with whatever his weapon is. We will take a closer look at this shooter next. After that I will animate the sequence described here so we can see what it looks like. It won’t take much as it didn’t take much change at all here to change what we perceive.

The agent then turns towards the center of the roadblock and starts moving in that direction.

Peter Offermann
Contact Author
February 24, 2016
Quote
I think he wants to know if you can see if this agent (from the crouching/sitting position behind the truck) was the one that fired the first shot at LaVoy when he was walking with his hands in the air, just as he clears the back of the truck. It looks like you can see the muzzle of his weapon raise (just above his shoulder in the crouching position) just before LaVoy lowers his hands the 1st time. It looks like LaVoy points at that agent afterwards (almost like saying “you shot me”).
Ok… Below is the whole sequence from when the truck stops to when the agent in question starts walking towards the center of the blockade. I’ve increased the size of the first half so it is approximately the same zoom as the last half to make it easier to follow the action. I also removed much of the blur so there are only a couple of frames where there is no detail. The whole gif is also about double the original size.
There are 261 frames in this section which means it lasts 8.7 seconds in realtime (30 fps). The gif is slowed down to 5 fps.
Gif is 17mb and will take sometime to load on slower connections.

Just before this the agent in question was hit by and buried by a heavy wall of wet snow coming from Lavoy’s truck. At the start of this sequence he is sliding away from Lavoy’s truck on his butt and he ends up sitting on the ground facing away from Lavoy’s truck and is instead facing towards the driver’s side rear corner of the dark truck. His knees are stretched out in front of him. He is staying low because another agent is aiming at Lavoy over his head from back in the barricade.
(click on the images below for a larger version)

He remains in this position until another agent walks past him between him and the dark truck.

In the next 1.7 seconds he changes from this position to walking towards the middle of the road block. There is not enough time for him to take a shot at Lavoy even if his arms were in the right position. First he starts to turn his body towards the left facing the back of Lavoy’s truck.
There might possibly be missing time there as both he and the other shooter appear to be missing some movements there. If anyone shot him then I think it was the other shooter out behind the truck. You can possibly see just a bit of recoil on his weapon as he comes out of the worst of the blur. It doesn’t make sense to me that Lavoy continues to run towards him if he is shot at that point.

The Agent then plants his left arm on the ground to raise his body onto his feet. Lavoy first drops his arms at this point.
I examined every frame in this sequence very closely at a very large size when I created the gif showing what I think happened.
I do not believe Lavoy dropped his arms at this point. I think this was painted in because they needed to show him waving his arms around in order to justify shooting him.
In the sequence where he leaves the truck they left the top half of his body as original and painted in his feet to get the perception they desired. In this sequence they left the lower half of his body original and manufacture his arm movements to suit.
The background for the sequence is bare snow except one barely visible clump of bushes. It is very easy to see signs of tampering on such a background and there are plenty of signs. The shape and texture of his arms also don’t look real in places when studied closely.
I believe Lavoy only dropped his arms once when he was shot at the time I highlight in Part 8b. He is shot in the left lower abdomen and then drops his arms to clutch himself there as he is blown sideway by the shock of the shot.
His arm movements from this point on are faked as well to mask his involuntary turn to the side. They moved his arms around to make him look like he intentionally turned away to run. Lavoy doesn’t try to run at all. He is only forced back onto his left foot by the blast and moves his right foot forward to try to retain his balance. At that point he is shot by the uphill shooter with whatever his weapon is. We will take a closer look at this shooter next. After that I will animate the sequence described here so we can see what it looks like. It won’t take much as it didn’t take much change at all here to change what we perceive.

The agent then turns towards the center of the roadblock and starts moving in that direction.
